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It was the movie I needed to make at the time.” Doing this movie really recentered me and put me back with my family, my friends. “ I really did not want to be here anymore. A divorce, the death of his friend and Holliston castmate Dave Brockie, and the closing of Holliston‘s network, Fearnet, all in the span of a month sent him spiraling into a reclusive state. “I came really close to checking out in 2014,” Green tells me. Green proceeded to tour with the film at theaters around the country before it arrived on Blu-ray and DVD, all within a span of six months. Victor Crowley was produced in secret, only to be revealed to an unsuspecting audience at a free Hollywood screening that was advertised as a 10th anniversary celebration of the original Hatchet with cast members from all the movies in attendance. Five years ago, writer-director Adam Green pulled off a similar achievement with Victor Crowley, the fourth installment in his Hatchet franchise.

Studios inundate audiences with advertising in an effort to remain at the forefront of their minds while fervent fans dig up every crumb of information from the second a project is announced, leaving precious little to the imagination by the time a film hits the screen.īlair Witch‘s covert reveal, The Cloverfield Paradox‘s unannounced release, and Split‘s connection to Unbreakable are recent examples that, regardless of the reception to the films themselves, generated buzz thanks to the element of surprise. It’s increasingly rare to be surprised by a new movie’s existence entirely, particularly when it’s connected to an established IP.